MTS to MP4

MTS to MP4 Converter — Free, No Watermark

Typical AVCHD camcorder clip converts in 15–30 seconds end-to-end
QUICK ANSWER

Convert MTS and M2TS to MP4 free. Drop a .mts or .m2ts file straight off an AVCHD camcorder — Sony, Panasonic, Canon, or JVC — and get back a clean, editable H.264 + AAC MP4 through CDN. Native server-side ffmpeg does a full re-encode so the AVCHD stream layout and Dolby audio stop tripping up your editor and players. No signup, no watermark.

  • Accepts .mts and .m2ts
  • Native server-side ffmpeg
  • AVCHD video re-encoded to H.264
  • AC3 / Dolby audio re-encoded to AAC
  • H.264 / AAC MP4 output
  • No watermark
  • No signup
  • Files deleted within 24h

Files are deleted from our server within 24 hours.

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How it works

  1. 1

    Drop your MTS or M2TS file

    Drag any .mts or .m2ts file in or click to choose. AVCHD footage straight off a Sony, Panasonic, Canon, or JVC camcorder works, as do .m2ts files ripped from Blu-ray. No account required.

  2. 2

    Click Convert to MP4

    Native ffmpeg on our server re-encodes the AVCHD video to H.264 at CRF 23 and the Dolby / AC3 (or PCM) audio to AAC at 160 kbps. The result is muxed into an MP4 with +faststart so it streams instantly and opens in any editor.

  3. 3

    Download your MP4

    The finished MP4 is delivered through Bunny CDN. It drops straight into Premiere, DaVinci Resolve, Final Cut, iMovie, CapCut, and plays on every device, browser, and social platform that accepts MP4.

What MTS and M2TS actually are

MTS and M2TS are the file extensions used by AVCHD, the HD recording format Sony, Panasonic, Canon, and JVC ship on their camcorders — the .m2ts variant is also what sits on Blu-ray discs. Inside, the video is H.264, but it is wrapped in an MPEG-2 transport stream, and the audio is usually AC3 (Dolby Digital) or, on some bodies, uncompressed PCM. That mix is fine for the camcorder, but it is a recording structure, not an editing or sharing one.

What this tool does, exactly

Native ffmpeg re-encodes the video to H.264 at CRF 23, re-encodes the audio to AAC at 160 kbps, forces the pixel format to yuv420p for universal hardware-decoder support, and writes the result as an MP4 with the +faststart flag so it begins playing the moment it streams. The AVCHD video is already H.264, but the transport-stream packaging and the AC3 / PCM audio are exactly what break in editors, so a clean re-encode of both streams is far more reliable than a remux.

Why your AVCHD footage won't edit cleanly

AVCHD is a broadcast-style recording structure, with the real media buried in a BDMV / STREAM folder hierarchy. Many players choke on the MPEG-2 transport-stream layout, and a lot of editors either refuse the Dolby / AC3 audio or import the clips with no sound at all. Re-encoding the streams into a plain H.264 + AAC MP4 produces a file that drops straight into Premiere, DaVinci Resolve, Final Cut, iMovie, and CapCut and plays everywhere the original .mts or .m2ts would not.

Sister tools

For the related broadcast container, TS to MP4 converter handles raw MPEG-2 transport streams, and MPG to MP4 converter takes the older MPEG-1 / MPEG-2 program streams. For camcorder cousins, MOV to MP4 converter handles QuickTime and iPhone sources, and AVI to MP4 converter covers older camcorders and capture cards. Shrinking the finished MP4? Video compressor.

Skipping the conversion entirely

AVCHD exists because camcorders write it to record HD footage to disc and tape-style media. If what you actually need is to record and share — a demo, a walkthrough, a quick screen capture — Clipy records your screen straight to a shareable link in standard H.264 MP4, with no local file, no AVCHD folder to dig through, no format conversion, no watermark, and no install.

Common questions

What is the difference between MTS and M2TS?

They are two extensions for the same underlying AVCHD format. Camcorders typically write .mts straight to the SD card or internal storage, while .m2ts shows up after the footage is imported via the manufacturer's software and on Blu-ray discs. Both hold H.264 video inside an MPEG-2 transport stream with AC3 or PCM audio, and this tool accepts either.

Why won't my MTS file play or import into my editor?

AVCHD is a recording and broadcast structure, not an editing format. The MPEG-2 transport-stream layout trips up many players, and the AC3 / Dolby audio inside is something a lot of editors refuse outright or import with no sound. Re-encoding to a standard H.264 + AAC MP4 fixes both so the footage opens cleanly in Premiere, Resolve, Final Cut, iMovie, and CapCut.

The video is already H.264 — why re-encode it?

AVCHD video is H.264, but the problem is the transport-stream packaging and the AC3 / PCM audio, not the video codec. A remux that keeps the original stream usually breaks in editors and browsers, so we do a clean re-encode of both video and audio. That is far more reliable than rewrapping and is what makes the resulting MP4 just work.

Will I lose quality converting MTS to MP4?

We re-encode to H.264 at CRF 23, which is visually transparent for camcorder footage. You are going from one H.264 source to another at a high quality target, so on any normal screen the output looks the same as the original AVCHD clip.

Can I convert MTS to MP4 with no watermark?

Yes — the output is a clean H.264 + AAC MP4 with no watermark, no signup wall, and no paid download gate.

Is my file private?

We accept the file over a presigned upload to our Backblaze B2 storage POP, convert it on our server with native ffmpeg, and serve the result through Bunny CDN. Both the source and the output are deleted within 24 hours. No signup is required.

Can I convert a whole AVCHD folder at once?

Not yet — one file at a time on this page. If you have a card full of camcorder clips to convert, surface the request and we will prioritize a multi-file mode.

Tool not working the way you expect?

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