Fix Audio

Normalize Video Audio — Fastest Free

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The fastest free video loudness normalizer. Drop a recording where the mic is too quiet or the volume is all over the place, and native ffmpeg loudnorm levels the whole file to broadcast -16 LUFS on our server. Video stream-copied for MP4 and MOV (picture stays bit-for-bit identical); WebM and MKV re-encode to MP4 at CRF 20. No signup, no watermark.

  • Native ffmpeg loudnorm pipeline
  • -16 LUFS EBU R128 target
  • Video stream-copied for MP4 / MOV
  • MP4 / MOV / WebM / MKV in
  • No watermark, no signup
  • Up to 500 MB

Files are deleted from our server within 24 hours.

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Why this tool exists

  • Files upload to the nearest Backblaze B2 POP via presigned URL.
  • Native ffmpeg loudnorm on the server. No watermark, no signup.
  • Source and output are deleted within 24 hours.
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Why this is fast

MP4 and MOV sources stream-copy the video track (-c:v copy) and only re-encode the audio, so the heavy lifting is just the loudnorm + AAC pass — a fraction of the work of a full transcode. Uploads land at the nearest Backblaze B2 point of presence via a presigned URL, the encode runs server-side with native ffmpeg (real SIMD, threading, disk I/O), and the result comes back through Bunny CDN. A one-hour 1080p MP4 typically finishes in a few seconds end to end.

What this tool does, exactly

For MP4/MOV inputs, the command is ffmpeg -i input -c:v copy -af loudnorm=I=-16:TP=-1.5:LRA=11 -c:a aac -b:a 192k -movflags +faststart -f mp4 output.mp4. Video bytes pass through untouched, audio is normalized to integrated -16 LUFS with a true-peak limit at -1.5 dBTP and a loudness range of 11 LU. For WebM/MKV inputs (VP8/VP9 + Opus, which cannot be muxed into MP4), we add -c:v libx264 -preset veryfast -crf 20 -pix_fmt yuv420p so the output is still a clean, universally playable MP4.

EBU R128 vs peak normalization

Two completely different approaches. Peak normalization (the old way, still in basic editors) just scales the file so its loudest sample hits a target dB — a quiet track with one sharp peak ends up still feeling quiet because perceived loudness is mostly about average level, not peaks. EBU R128 (which we run) measures integrated loudness in LUFS — a perceptual unit weighted the way human ears actually hear — and adjusts the whole file so its average perceived loudness lands on target. That is why streaming platforms (Spotify, YouTube, Apple Podcasts) all standardized on LUFS-based normalization: it is the only measurement that makes everyone's uploads sit at the same comfortable level.

Loudness is not noise — pick the right tool

This tool fixes loudness. It does not remove hiss, fan hum, keyboard clatter, or room echo — in fact, turning a quiet track up will make any existing background noise more audible, not less. If the actual problem is a noisy room rather than a low level, run the audio through the background noise remover first, then normalize the cleaned audio. The two steps solve different problems and work best in that order.

Sister tools

Got hiss or hum, not just loudness? Remove background noise. Need just the audio out as MP3? Video to audio converter. Compress the leveled video for sharing? Video compressor. Cut the leveled video to a section? Video cutter. Check the mic level before the next take? Mic test. Capture a clean recording from the start with Clipy — the free screen recorder with mic-level guidance baked in.

Common questions

EBU R128 vs peak normalization — which one does this run?

EBU R128 loudness normalization, which is what every streaming platform uses. Peak normalization (the old approach, still found in basic editors) just scales the file so its loudest sample hits a target dB, which means a quiet track with one sharp peak ends up still feeling quiet because perceived loudness is mostly about average level, not peaks. R128 measures integrated loudness in LUFS — a perceptual unit weighted the way human ears actually hear — and adjusts the whole file so its perceived loudness lands on target. Result: viewers can press play once and never touch the volume slider.

Will normalizing make a quiet video noisier?

It can. Raising the loudness lifts everything in the track, including any background hiss or hum. If your recording has audible noise, clean it with the background-noise remover first, then normalize. Normalization only adjusts loudness — it never removes noise on its own.

Does this re-encode my video and lose quality?

For MP4 and MOV files the video stream is copied untouched (-c:v copy) — only the audio is re-encoded to AAC at 192 kbps, so the picture is bit-for-bit identical. WebM and MKV files (VP8/VP9 + Opus) cannot be muxed into an MP4 container, so their video is re-encoded to H.264 at CRF 20, which is visually transparent.

What loudness target do you use?

Integrated -16 LUFS with a true-peak limit of -1.5 dBTP and an 11 LU loudness range. That is the standard target for spoken-word and streaming video, and it matches the volume people expect from YouTube and podcast apps. Broadcast TV targets -23 LUFS instead, which is too quiet for phone-speaker playback.

Why is there a file-size limit?

Up to 500 MB per file. Most recordings under an hour fit comfortably. For very large or 4K files, normalize with a desktop ffmpeg install instead — the command is `ffmpeg -i input.mp4 -af loudnorm=I=-16:TP=-1.5:LRA=11 -c:v copy -c:a aac -b:a 192k output.mp4`.

What happens to my file after the normalize?

The source uploads to the nearest Backblaze B2 point of presence via a presigned URL, ffmpeg runs the loudnorm pass on our server, the leveled MP4 is delivered through Bunny CDN, and both files are deleted within 24 hours. No signup, no watermark.

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